I started off Media Studies AS with a limited knowledge of how to make films, edit them and then promote them. But since learning key terms, conventions of Thriller and other types of film, my horizons have been broadened and I can now distinguish film genres by watching them and analysing their key components.
Once making our Prelim, we came across some issues that were brought up during a pitch made to our fellow class mates. It was decided that there had been an excess of footage of Callum walking up stairs and through corridors, and that once he sat down to talk with myself, there was no ‘real’ storyline. We addressed this by planning our Thriller Opening to have a maximum of two characters from very different backgrounds that have been entangled with each other’s lives, as a desperate cop tries to solve a case involving the convict. The two characters remain fairly stationary through-out the Opening, with their words speaking a lot louder than actions; the only exception being the at the very end.
Continuity was a big factor in our Thriller Opening, where we had to make sure that if something happened, the following shot would start with that action, and end on a different one. Getting a clean cut was something we tried very hard to achieve through-out the Opening, and we believe we have in fact achieved, just that. This we done through maximising the size of the clip we could edit (without changing its technical properties) and shortening the clip so that we could eliminate any unwanted diegetic sounds, like laughter, sniffling and other un-needed sounds. The same for any unwanted facial expressions, like smiling when about to film a serious scene.Different Shot Types were another large factor that helped us achieve a good continuity. With the continuous conversation between the Detective and the Convict, a varied range of shots had to be used, including: shot-reverse-shot, match-on-action, not breaking the 180° rule, high and low angle shots...etc.
The two above shots are demonstrations of Shot-Reverse-Shot and also High and Low Angle Shots. The 180° rule is not broken here. The left shot looks up towards me and it is taken from Lewis’ left shoulder. The shot on the right is taken from my right shoulder, looking down at Lewis. This is done so that it looks more like convocation, and if the right shot was taken from my left shoulder, it would confuse the audience, and hence the 180° rule.
I believe that the Thriller that I, Callum Cole and Lewis Hamilton have produced stays true to the Thriller Genre, utilising all of its conventions.
We found some areas where there were laughter or sniggering noises in the background, we went back and editing some of the sound to correct this mistake. Also we had some constructive criticism that it would be better the move the title sequence to the end as well, for an added impact as the Thriller Opening closes.














